By Ann Gray, Jan Campbell, Mark Erickson, Stuart Hanson, Helen Wood
This number of vintage essays makes a speciality of the theoretical frameworks that expert the paintings of the Centre for modern Cultural experiences on the college of Birmingham, the methodologies and dealing practices that the Centre constructed for accomplishing educational study and examples of the 'grounded stories' conducted less than the auspices of the Centre. This quantity is divided into 4 thematic sections that are brought through key lecturers operating within the box of cultural experiences, and features a preface via eminent pupil, Stuart corridor. The thematic sections are: CCCS Founding Moments Theoretical Engagements Theorising event, Exploring equipment Grounded stories.
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Additional resources for CCCS Selected Working Papers Vol.1
For example, one of the ﬁrst projects will be a study in depth of the period of the 1930s, using Orwell’s work as a ‘key’. The second area – ‘the sociology of literature and the arts’ – will try to develop a critical language for dealing with those phenomena which have both artistic and social signiﬁcance. Here the Centre will try to bring together the disciplines of literary criticism, sociology and social psychology, and social history. It will also be concerned with the nature of diﬀerent audiences for diﬀerent kinds of art and literature, with the relationship between diﬀerent ‘kinds’ and ‘levels’ of art, and with the inﬂuences of communication upon audiences.
The range of groupings is already wide. In almost every case more than one person is involved, and we are prepared to be ﬂexible about the degree of looseness permitted within each group. This must be allowed to grow and change with the shape of each project. One of the projects already mentioned – a ‘period’ study of the 1930s – will be a loosely-knit group, bringing together people of diﬀering ages, with widely diﬀerent interests, and diﬀerent academic experience. This group includes two English specialists, one of whom is also a social anthropologist, several literary critics, a political historian and a biographer.
Grounded Studies’ are perhaps the hallmark of the CCCS and Johan Fornäs observes that intellectual ﬁelds emerge through labour. He reminds us how critical studies take hold and are shaped diﬀerently in diﬀerent locations. In this section we can see that ‘practice’ becomes an important new analytical category through which to engage with theoretical debates about agency, ideology and structure. Whilst for organisational purposes these three levels have been separated out for this volume it is clear from reading the Working and Stencilled Papers and the Centre Reports that the work cross-fertilised.
CCCS Selected Working Papers Vol.1 by Ann Gray, Jan Campbell, Mark Erickson, Stuart Hanson, Helen Wood