Dickens the Journalist by John Drew PDF

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Example text

Even in as ad hoc an item as the ‘Extraordinary Gazette,’ an 8-page advertising flier for the Miscellany, Dickens’s humour played around with the formal rhetoric of government, this time with the reporting of the monarch’s speech on the annual opening of parliament, 40 Dickens the Journalist presented as the ‘Speech of his Mightiness on opening the Second Number of Bentley’s Miscellany’: ‘MY LORDS, LADIES, AND GENTLEMEN: ‘… It has been the constant aim of my policy to preserve peace in your minds, and promote merriment in your hearts; to set before you, the scenes and characters of real life in all their endless diversity … I trust I may refer you to my Pickwickian measures, already taken and still in progress, in confirmation of this assurance.

Until October 1836, the instalments interlaced with various political and parliamentary reports for the Chronicle: with the shortlived ‘New Series’ of ‘Sketches by Boz’ for the morning paper, with the anti-Sabbatarian pamphlet, two papers for the Library of Fiction, and so forth. It is worth noting how closely the early Pickwick numbers, with their interpolated tales, descriptive sketches after Irving and Poole, and their self-conscious segueing of parliamentary periphrasis into vivid street slang, replicate the miscellaneity and juxtapositions of Dickens’s already established journalistic output.

His earnest assertion of access to a higher authority than Parliament, of the supremacy of personal knowledge of everyday people, and of face-to-face encounters, gives both an evangelical and a republican edge to his proceedings. There is his fascination with the macabre, with revenants, with both the loss of the past and the threat of its re-eruption into the present. 12 Nevertheless, in his depiction of the extent to which all small communities and local assemblies model themselves on parliament, and replicate its pantomimic formulae – transacting, and staging business, with a view to cutting figures before an audience or in print, rather than generating action – ‘Boz’ returns compellingly to the primal scene of parliamentary debate.

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