By Bob McCann
The 1st paintings of its sort, this encyclopedia presents 360 short biographies of African American movie and tv actresses from the silent period to 2009. It contains entries on recognized and approximately forgotten actresses, working the gamut from Academy Award and NAACP picture Award winners to B-film and blaxpoitation period stars. every one access has an entire filmography of the actress's movie, television, song video or brief movie credit. The paintings additionally beneficial properties greater than one hundred seventy photos, a few of them infrequent photos from the Schomburg middle for examine in Black tradition.
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Extra info for Encyclopedia of African American Actresses in Film and Television
The banana skirt has become a timeless erotic symbol. Baker’s persona remains controversial to this day: the black woman as insatiable sex goddess. Race and sexuality were the keynotes of her appeal, and she certainly deﬁned perhaps as no woman before or since the “exotic” appeal of women of color. The better part of a century before the emergence of supermodels such as Tyra Banks and Naomi Campbell, and generations before the “dreamgirl” media event created by the appearance of Beyoncé in the Sports Illustrated swimsuit issue, Josephine Baker championed an in-yourface sensuality that remains cutting edge.
Race and sexuality were the keynotes of her appeal, and she certainly deﬁned perhaps as no woman before or since the “exotic” appeal of women of color. The better part of a century before the emergence of supermodels such as Tyra Banks and Naomi Campbell, and generations before the “dreamgirl” media event created by the appearance of Beyoncé in the Sports Illustrated swimsuit issue, Josephine Baker championed an in-yourface sensuality that remains cutting edge. The other side of the coin, however, is that the “sexy savage” image — especially when combined with a “loved-unwisely-and-lost” Madame Butterﬂy persona — seems as racist to many modern viewers as any other black stereotype of its era.
Paul Derville, director of the Folies-Bergère, wanted her to star in his next show. A dramatic addition to the show was Baker’s pet cheetah, Chiquita, who wore a diamond collar but refused to obey the politer dictates of society. The cheetah, part of the “savage” ambience of the show, often escaped into the orchestra pit, giving the musicians ﬁts, and adding a distinct element to the proceedings, which consisted of Baker dancing in a banana skirt and high heels — and nothing else (“La Danse Souvage”).
Encyclopedia of African American Actresses in Film and Television by Bob McCann