By Jasper Fforde
ISBN-10: 3838723325
ISBN-13: 9783838723327
Es läuft intestine für Eddie Russett: Seine Rotsicht ist exzellent, er wird mit etwas Glück auf der Farbskala nach oben heiraten, und sein Leben plätschert angenehm ereignislos dahin - bis zu dem Tag, an dem er sich unrettbar und wider jede Vernunft verliebt. Denn Jane ist nicht nur geheimnisvoll und wunderbar stupsnasig, sie ist auch komplett farbenblind und gehört damit der gesellschaftlichen Unterschicht an: eine Graue! Jane hebt Eddies geordnete Welt aus den Angeln: Plötzlich hat er einflussreiche Feinde, wird mit unbequemen Wahrheiten konfrontiert, und zu allem Überfluss versucht seine Angebetete auch noch immer wieder, ihn umzubringen. Denn Jane hütet ein hochexplosives Geheimnis, und Eddie weiß bereits zu viel ...
"Grau" ist das neue Meisterwerk des britischen Erfolgsautors Jasper Fforde. Ein spektakuläres Ideenfeuerwerk und phantastisches Abenteuer um Liebe, Verrat und die unüberschätzbare Macht der Neugier.
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Extra resources for Grau: Ein Eddie-Russett-Roman
Sample text
One cannot replace the missing choice of Kim by an ordeal of the lama. It is not his love for Kim that provides the crisis. The tension in that has been wholly relaxed since he has accepted his chela as the medium of his Search and the beneficiary of its achievement. His spiritual anguish, like his serenity, are things that Kim comes to know about, that bring him to maturity. The tale presses no further into these regions than the travellers did into the Himalayas. The great heights are beyond.
The dealings with this human residuum have an engaging innocence, which must be ascribed to the junior partner, but at least it is understood that such things are heavy. 2. LAUGHTER have to face, between their inadequate emotions and ruses and the chilling load of death. They are always juggling with an object too big for them, in a reaction of petty irritation or pathetic incredulity to find themselves in such a situation. The courage and the desperation of the weak interested Stevenson, their unexpected sticking-points and breaking-points; this was not one of Kipling's themes.
But these are all rationalizations of a personal distaste. Such blemishes diminish in the perspective of time and are taken with less perturbation, even where they are still disapproved. Let an author be a hundred x8 KIPLING AND THE NOVEL years dead and they are seen as the idiom of his genius, running into temporary excess, and a variant of that of his age. Kipling's idiom, though often curt and packed, was seldom austere. He was, like so many figures in English literature-Webster, Smollett, De Quincey, Dickens, Browning-essentially an emphatic writer, and in this he went with the grain of the language and followed in a deep hereditary track.
Grau: Ein Eddie-Russett-Roman by Jasper Fforde
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