By Shani Orgad
ISBN-10: 0745643795
ISBN-13: 9780745643793
ISBN-10: 0745643809
ISBN-13: 9780745643809
ISBN-10: 0745680852
ISBN-13: 9780745680859
This e-book is a transparent, systematic, unique and energetic account of the way media representations form the way in which we see our and others’ lives in a world age. It offers in-depth research of a number of overseas media representations of catastrophe, struggle, clash, migration and celebration.
The booklet explores how photos, tales and voices, on tv, the net, and in ads and newspapers, invite us to relocate to far-off contexts, and to narrate to those that are distant from our day-by-day lives, by way of constructing ‘mediated intimacy’ and targeting the self. It additionally explores how those representations form our self-narratives.
Orgad examines 5 websites of media illustration – the opposite, the country, attainable lives, the area and the self. She argues that representations can and may give a contribution to fostering extra ambivalence and complexity in how we expect and consider in regards to the global, our position in it and our relation to far-away others.
Media Representations and the worldwide Imagination might be of specific curiosity to scholars and students of media and cultural reviews, in addition to sociology, politics, diplomacy, improvement stories and migration stories.
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Additional resources for Media representation and the global imagination
Sample text
This view is premised on the recognition that signification systems play a central part in producing meaning: we give things meaning by how we represent them – the words we use about them, the stories we tell about them, the images of them we produce, the emotions we associate with them, the ways we classify and conceptualize them, the value we place on them. (Hall, 1997: 3, emphasis in original) The notion that representation is an act of construction is rooted in several theoretical traditions which have been discussed extensively in the literature (Gillespie and Toynbee, 2006; Hall, 1997; Lacey, 2009; Macdonald, 2003) and which I do not propose to rehearse here.
First, it points to our huge reliance on representations for making sense of the world we live in. How we understand and experience ‘the world’ is inseparable from its construction in images and stories. Second, the post-structuralist view destabilizes conventional notions of meaning (Gill, 2007: 12): it insists on fluidity, openness and co-constitution (through signs) of meaning, identities and subjectivities – aspects which are explored in this book, culminating in a discussion of representations of the self in chapter 6.
It also highlights aspects that depart from the existing literature and the ways the book seeks to advance discussion in the field. This book contributes also to research on media and globalization. , Castells, 2001, 2009; Flew, 2007; Herman and McChesney, 2001; Schiller, 1999; Thompson, 1995). However, little attention has been paid to representations as texts, and to exploring how and whether media representations extend not only global reach, but also imagination and understanding. Silverstone (2007) adds a concrete question to the agenda: do the media provide us with tools and ways to think and make informed judgements about issues, people and places that we will likely know only through mediated representations?
Media representation and the global imagination by Shani Orgad
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