By Nicholas D. More
ISBN-10: 1139899457
ISBN-13: 9781139899451
Nietzsche's Ecce Homo was once released posthumously in 1908, 8 years after his loss of life, and has been variously defined ever in view that as dead, mad, or simply inscrutable. by contrast backdrop, Nicholas D. extra presents the 1st entire and compelling research of the paintings, and argues that this so-called autobiography is in its place a satire. this way permits Nietzsche to belittle undesirable philosophy via comedian potential, try reconciliation along with his painful earlier, overview and unify his disparate works, insulate himself with humor from the chance of 'looking into abysses', and identify knowledge as a different type of 'good taste'. After displaying find out how to learn this much-maligned publication, extra argues that Ecce Homo offers the simplest instance of Nietzsche making experience of his personal highbrow lifestyles, and that its specified and intricate parody of conventional philosophy makes a robust case for analyzing Nietzsche as a philosophical satirist throughout his corpus.
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Extra info for Nietzsche's Last Laugh: Ecce Homo as Satire
Sample text
But they remain insightful and evocative. Satire concerns ideas and a tone, for Bakhtin, that challenge the status quo. He characterizes satire’s “carnival” sense of the world through fourteen possible elements, a list worth considering in relation to Nietzsche’s oeuvre. Satire, he writes, (1) has an increased comic element; (2) is unfettered by demands of verisimilitude and thus enjoys an “extraordinary freedom of plot and philosophical invention”; (3) makes bold use of the fantastic, the “creation of extraordinary situations for the provoking and testing of a philosophical idea, a discourse, a truth, embodied in the image of a wise 7 8 9 10 Northrop Frye, Anatomy of Criticism: Four Essays (New York: Atheneum, 1967), 223, 310.
9), signaling that Nietzsche’s work has been a contest between opposing outlooks. The antagonism prefigured in the book’s title further points toward Ecce Homo as satire. Aggressive denunciation is one of satire’s dominant and oldest forms, and the book’s title invokes the Christian model of humanity in order to present Nietzsche’s philosophy against it. The title also puts us in two historical periods, as Nietzsche applies a New Testament phrase to himself in the present. Hence the title inaugurates a series of temporal dislocations in Ecce Homo that will grow to include the classical world of Greece and Rome.
42 Conway writes: “In short, Ecce Homo must – and does – enact 36 38 39 40 41 42 Ridley, “Introduction,” xix, xiii. , xvii. 10). 8. (For an excellent reminder of Nietzsche’s fatalist position, see Brian Leiter, “Who is the ‘sovereign individual’? ) Ridley, “Introduction,” xix. , xxi. In another introduction to an English translation of Ecce Homo, Duncan Large focuses on the book’s “educative function,” a function meant to help show Nietzsche’s success at achieving genuine selfhood. Large does not consider Ecce Homo to “break new philosophical ground,” having instead “the character of an annunciation” to Nietzsche’s future work (“Introduction,” xv, xiv).
Nietzsche's Last Laugh: Ecce Homo as Satire by Nicholas D. More
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