By Xavier Mendik
ISBN-10: 1906660352
ISBN-13: 9781906660352
From mediations on particular imagery and profiles of admired performers to discussions of nationwide nudities and the titillating thrills of recent applied sciences, cine-erotica has turn into an important and subversive class of up to date movie, media, and cultural reports.
Expanding on contemporary paintings in gender, cultural, and audience-based experiences, Peep indicates: Cult movie and the Cine-Erotic examines the worldwide traditions of cult erotica, explaining key styles, paradigms, and performers from the realm of cult celluloid sexuality. Peep Shows comprises profiles of porn performers and icons equivalent to Ron Jeremy, Betty web page, Catherine Breillat, and Joe D'Amato. Essays additionally presents case reviews of up to date porn parodies, lesbian erotica, jap crimson porn cinema, Café Flesh, the Seduction cinema label, the dominatrix in erotic cinema, woman porn audience, burlesque cinema programming, and porno stylish soundtracks. the quantity positive factors specific interviews with erotic performers Seka, dollar Angel, Misty Mundae, Christina 'Thriller' Lindberg, and the prolific porn manufacturer, Michael L. Raso.
* disguise photograph from VIVA © 2007 by way of Anna Biller
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Extra info for Peep Shows: Cult Film and the Cine-Erotic
Sample text
While offering a crucial account of the marketing and funding structures underpinning the event, Pyne also offers an interesting index of the kinds of consumer attracted to the event (stratified along several cinematic subcultures that include cross-over neo-burlesque fans, early cinema fanatics, London gay community members and burlesque performers). The varied participants to this cross-media event evidence the recent surge of interest in burlesque culture (particularly in metropolitan areas), which Pyne accounts for in her engaging exhibition study.
As Perks notes, ‘in the FTM porn film we learn that transmen prefer to handle their clitoris differently, they “jill off” exactly as if they were handling a miniature penis’. Through these scenes, as well as a range of vignettes in which Buck Angel is represented as both ‘penetrator and penetrated’, the performer’s works point to the plurality of subjectivity positions at play within his narratives. In an important expansion of these debates, Perks draws on psychoanalytic notions such as the archaic mother to explore pre-Oedipal alignments between Angel’s character and the ‘Black Queen’ depicted in Richard Kimmel’s avant-garde Schwarzwald (2007), which both the author and the star discuss in the accompanying interview.
Noting a repeated pattern of infantilisation of the male submissive by the female dominatrix, Barrett argues that with the ‘kind of language used in dominatrix porn, “little girl”, “bad body” and so forth, the power relationship that is performed is close to that of mother and child’. This familial matrix is further confirmed by ‘enforced’ thumb-sucking, spanking and other regressive activities that Dom narratives focus on, leading Barrett to conclude that the female dominatrix reproduces the figure of the phallically empowered pre-Oedipal mother, who is able to oscillate between the figures of ‘gentle mummy, then cruel matriarch’.
Peep Shows: Cult Film and the Cine-Erotic by Xavier Mendik
by Thomas
4.5