By William Rothman
ISBN-10: 0814328962
ISBN-13: 9780814328965
In their considerate learn of 1 of Stanley Cavell's maximum but such a lot ignored books, William Rothman and Marian Keane handle this eminent philosopher's many readers, from various disciplines, who've neither understood why he has given movie a lot consciousness, nor grasped where of the realm considered in the totality of his writings approximately movie.
Rothman and Keane additionally reintroduce the area considered to the sphere of movie reviews. whilst the hot box entered universities within the past due Nineteen Sixties, it predicated its legitimacy at the conviction that the medium's inventive achievements referred to as for critical feedback and at the corollary conviction that no present box used to be able to the feedback filmed known as for. The learn of movie had to chanced on itself, intellectually, upon a philosophical research of the stipulations of the medium and artwork of movie. Such was once the problem the area considered took upon itself. despite the fact that, movie stories opted to embody conception as a better authority than our reviews of films, divorcing itself from the philosophical standpoint of self-reflection except which, the realm seen teaches, we can't be aware of what video clips suggest, or what they are.
Rotham and Keane now argue that the poststructuralist theories that ruled movie reviews for 1 / 4 of a century now not compel conviction, Cavell's magnificent and lovely publication promises a feeling of liberation to a box that has forsaken its unique calling. learn in a fashion that recognizes its philosophical fulfillment, the realm considered can exhibit the sector the way to movement ahead via rediscovering its ardour for the artwork of movie.
interpreting Cavell's the area considered will end up precious to students and scholars of movie and philosophy, and to these in different fields, akin to literary experiences and American experiences, who've came across Cavell's paintings provocative an fruitful.
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Additional info for Reading Cavell's The World Viewed: A Philosophical Perspective on Film
Example text
And what makes movies important cannot be separated from the importance of the events of companionship or lack of companionship associated with our experience of movies. ") "I don't care whether anyone quite knows the week of awe I spent at the age of twelve reading Les Miserables" Cavell writes; "there are always twelve-year-olds and there is always that book for them. But movies, unless they are masterpieces, are not there as they w e r e . . " Those hours and days at the movies, shared with those companions, are past.
No less than it is a question about film (what is this particular art? ). And it leads to another question. "The more we learn . . of the corruptions and stupidities of the industry that formed to produce those objects, the more we are likely to wonder how the films we care about can ever have been made. . " (15). And these two questions—How can film have for so long avoided the fate of modernism? — prompt Cavell to pose the question that will occupy the next four chapters: What is film? Because Gerald Mast and Marshall Cohen included Chapters 2 through 5 in their anthology Film Theory and Criticism, which has been used (in a succession of editions) for over twenty years as a textbook in innumerable college courses, this is by far the most widely-read section of The World Viewed.
While the community of serious art is small, it is not exclusive—not the way an elite is exclusive. It is esoteric, but the secret is open to anyone" (14). When Cavell sums up the condition of modern art by saying, "Art now exists in the condition of philosophy" (14), he is also summing up the condition of modern philosophy, as Must We Mean What We Say? 49 READING THE WORLD VIEWED articulates it. Philosophy today exists in the condition of modern art; it leaves no room, holds no promise, for the minor philosopher, whose work is condemned to nonexistence—nonexistence as philosophy—by the work of the major philosopher.
Reading Cavell's The World Viewed: A Philosophical Perspective on Film by William Rothman
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