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Extra resources for The Dream That Kicks: The Prehistory and Early Years of Cinema in Britain

Example text

30–3). There is indeed a sharp contrast between Lumière and Méliès, but Kracauer’s Hegelianism is almost too static and rigid a view of the relationship between them. It is not as if Lumière’s films left unsatisfied part of the audience’s hunger, but that they created new appetites. Lumière’s films are now adjudged to be realistic, but we know how fantastic they seemed to their first viewers, with the train about to steam into the midst of the audience. Gorki once said about Teasing the Gardener that the image carried such a shock of truthfulness that ‘you think the spray is going to hit you too, and instinctively shrink back’.

John Grierson tells us that the cinematograph at first escaped the constrictions of his Calvinist elders because they accepted it as essentially different from the theatre. Sin still, somehow, attached to play acting, but, in this fresh new art of observation and reality, they saw no evil. I was confirmed in cinema at six because it had nothing to do with the theatre, and I have remained so confirmed. But the cinema has not. It was not quite so innocent as our Calvinist elders supposed. Hardly were the workmen out of the factory and the apple digested than it was taking a trip to the moon, and, only a year or two later, a trip in full colour to the devil.

As Walter Benjamin puts it, in his ‘Small History of Photography’, it is another nature that speaks to the camera than to the eye: other in the sense that a space informed by human consciousness gives way to a space informed by the unconscious. Whereas it is commonplace that, for example, we have some idea what is involved in the act of walking, if only in general terms, we have no idea at all what happens during the fraction of a second when a person steps out. Photography…reveals the secret. It is through photography that we first discover the existence of this optical unconscious, just as we discover the instinctual unconscious through psychoanalysis.

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