By Michael Uva
ISBN-10: 0240812913
ISBN-13: 9780240812915
The Grip e-book, Fourth variation has been up to date and revised to be much more important to specialist grips-the "jack-of-all-trades and grasp of all" on a movie or video set. Grips set up, organize, preserve, and make sure the protection of all apparatus wanted on a collection, comparable to lighting fixtures stands, cameras, and any strong point apparatus wanted for a shoot. This new version comprises the most recent information regarding the newest gear and has been up-to-date to mirror adjustments within the together with CGI display setup and 'cleaning up the perms.' The Grip e-book additionally teaches readers tips on how to develop into a certified grip and feature a winning profession, and may stay an quintessential studying instrument and reference for grips of all event levels.
* referred to as "the bible" for grips on television and film units, pros realize it and love this well-respected and heavily-illustrated vintage from a well informed and recognized writer and grip * features a web site with visible demonstration video clips and hundreds and hundreds of illustrations aid make clear and reveal techniques * Covers new issues comparable to CGI monitors and perms and features a slew of recent word list phrases and slang phrases that every one grips have to know
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Extra info for The Grip Book (4th Edition)
Example text
There is a saying among grips that there are 10 ways to do the very same job—and usually they all work. This book will help you learn the names of basic grip equipment and ways to use it (and every so often I will also throw in the nickname of a piece of equipment). About the Equipment In this book I have selected a cross-section of only the most professional equipment. I have not by any means listed all the super equipment available. First, such a book would be too costly to produce, and second, I just want you to get a feel for what tools are available.
Front Side of Call Sheet 1. Day of shooting: For example, day 1 of 50 days 2. Picture: Name of the film or commercial 3. : Identification number for a film or commercial THE GRIP BOOK 9 4. Director: Name of the director 5. Extra line for additional information 6. Crew call: The “call” or “call time” is the time to report to work; “set” describes whatever or wherever you are shooting (a stage or even a forest can be called a set—after all, it has been said that “all the world is a stage”) 7. Shooting call: When the lights, camera, and actors should be ready to shoot 8.
If you see a coworker who is losing perspective, think about it a bit and even write down what you think. Making it clear on paper may make it more understandable. Even if you do not show your coworker the paper, look at it at after the job to see if you still agree with your observation. If it still seems appropriate, you may show it to the other person or talk about it. Approach any discussion about behavior with caution. Listen first. You will be much more able to tailor your questions or comments to what the person already feels.
The Grip Book (4th Edition) by Michael Uva
by Richard
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