Read e-book online The Imperial Trace: Recent Russian Cinema PDF

By Nancy Condee

ISBN-10: 019536676X

ISBN-13: 9780195366761

ISBN-10: 0195366964

ISBN-13: 9780195366969

ISBN-10: 0199710546

ISBN-13: 9780199710546

The cave in of the USSR appeared to spell the top of the empire, but it under no circumstances foreclosed on Russia's enduring imperial preoccupations, which had prolonged from the reign of Ivan IV over 4 and a part centuries. reading a number of movies from modern Russian cinema, Nancy Condee argues that we won't make feel of present Russian tradition with out accounting for the region's behavior of imperial id. yet is that this whatever made legible via narrative alone-Chechen wars on the outer edge, dress dramas set within the capital-or may well an imperial hint be sought in different, extra embedded characteristics, akin to the constitution of illustration, the stipulations of creation, or the preoccupations of its filmmakers? This expansive learn takes up this advanced query via a commanding research of the past due Soviet and post-Soviet interval auteurists, Kira Muratova, Vadim Abdrashitov, Nikita Mikhalkov, Aleksei German, Aleksandr Sokurov and Aleksei Balabanov.

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By extension, having learned from Russian history what a colonial project was, the Village Prose writer returns to the heartland as to both homeland and unacknowledged colonial project: pristine and uncontaminated, it serves as both his symbolic birthplace and as inland terra nullius. What Etkind has described as the self-Orientalizing tendency of the Russian Empire was therefore not only a late phenomenon but also one, in a sense, narrated in reverse. In Europe an existing elite sets off on the imperial journey 34 introduction and in so doing constructs an Oriental Other; in Etkind’s terms, the Shaved Man travels overseas to find the Bearded Other.

There [in Europe] narodnost’ means some kind of separate autonomy [samobytnost’]. . 71 The noncorrespondence of narodnost’ to Western notions of nationalism and to the reactive policies of official narodnost’—whether its original articulation in the 1830s by Nikolai I’s minister of education Count Sergei Uvarov, its later articulation by Mikhail Katkov after the Polish rebellion of 1863–64,72 or indeed its articulation today—had (and still has) no easy resolution in the pure realm of linguistic translation; efforts by the intelligentsia to produce a national culture remained similarly resistant to cultural translation, resulting, despite its occasional conflicting claims, in the story of empire written across what might elsewhere be the story of nation.

Those distinctions engage a broad range of issues—ethnicity, language, party affiliation, and other social operators—that mediate access to political rights, status, and goods and services across a fluidly determined, overland space. ” With the empire’s collapse, the existence of 25 million ethnic Russians residing outside the Russian state but within the former inner empire further muddled notions of the imagined community and its entitlements (Kolstoe 276–80). Just as those 25 million ethnic Russian pieds noirs left behind in former Soviet territories would problematize any pull toward ethnic nation formation in the Russian Federation, so too would the domestic suppression of non-Russian minorities within Russia, now 83 percent ethnic Russians, problematize the process of civic nation formation to a greater degree than in maritime empires with a more stable history of civic nationhood.

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The Imperial Trace: Recent Russian Cinema by Nancy Condee


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