Get The Routledge Companion to Remix Studies PDF

By Eduardo Navas

ISBN-10: 041571625X

ISBN-13: 9780415716253

The Routledge significant other to Remix Studies contains modern texts by way of key authors and artists who're energetic within the rising box of remix reviews. As an natural overseas stream, remix tradition originated within the renowned song tradition of the Seventies, and has when you consider that grown right into a wealthy cultural task encompassing a variety of types of media.

The act of recombining pre-existing fabric brings up urgent questions of authenticity, reception, authorship, copyright, and the techno-politics of media activism. This e-book methods remix reports from quite a few angles, together with sections on historical past, aesthetics, ethics, politics, and perform, and provides theoretical chapters along case reviews of remix initiatives. The Routledge spouse to Remix Studies is a invaluable source for either researchers and remix practitioners, in addition to a instructing device for teachers utilizing remix practices within the classroom.

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Extra info for The Routledge Companion to Remix Studies

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The student-created remixes of Lenz’s dancing baby video created a platform for students to interact directly with Stephanie Lenz (of Lenz v. Universal) while learning about remix, appropriation, copyright, and fair use. Desiree D’Alessandro, in her chapter “A Remix 10 INTRODUCTION Artist and Advocate” describes selected video mashups she produced during the last few years to share how she confronted copyright infringement allegations at the university where she was pursuing a master’s degree.

Part II: Aesthetics This part is concerned with the production and Practice part contributions reception of remix in visual culture. How the aesthat relate to the Aesthetics thetics of diverse communities influence remix is part include Chapter 31 a key area of exploration, as is the question of by Gustavo Romano and whether or not remix can be considered an art Chapter 32 by Jonah Bruckerform in its own right, or if it is merely derivative Cohen. of other fields of artistic practice. Consequently, issues of specialization, and the crossover from one creative field to another are central to gaining a sense of the type of aesthetics that have developed in relation to the act of remixing.

His inquiry is realized as an actual literary critical performance. Christopher’s text by and large comprises a series of quotes by divergent authors, ranging from cyberpunk to hip hop, which take the shape of an intertextual collage that turns into a case study of authenticity in the time of constant digital reproduction. Byron Russell’s “Appropriation Is Activism” is an exploration of the possibilities of the critical remix. Russell establishes a remix as distinct from its sources, new, and therefore original.

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The Routledge Companion to Remix Studies by Eduardo Navas


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