By Stephen King
ISBN-10: 0340951443
ISBN-13: 9780340951446
This is often the best way the area ends: with a nanosecond of computing device mistakes in a security division laboratory and one million informal contacts that shape the hyperlinks in a sequence letter of death.
And here's the grim new global of the day after: an international stripped of its associations and emptied of ninety nine percentage of its humans. a global during which a handful of panicky survivors decide upon facets -- or are selected. a global within which solid rides at the frail shoulders of the 108-year-old mom Abigail -- and the worst nightmares of evil are embodied in a guy with a deadly smile and unspeakable powers: Randall Flagg, the darkish man.
In 1978 Stephen King released The Stand, the unconventional that's now thought of to be one in every of his best works. yet because it was once first released, The Stand used to be incomplete, because greater than 150,000 phrases have been reduce from the unique manuscript.
Now Stephen King's apocalyptic imaginative and prescient of a global blasted by way of plague and embroiled in an elemental fight among reliable and evil has been restored to its entirety. The Stand : the entire And Uncut version comprises greater than pages of fabric formerly deleted, in addition to new fabric that King additional as he remodeled the manuscript for a brand new iteration. It offers us new characters and endows usual ones with new depths. It has a brand new starting and a brand new finishing. What emerges is a gripping paintings with the scope and ethical comlexity of a real epic.
For millions of lovers who learn The Stand in its unique model and sought after extra, this re-creation is Stephen King's present. and those that are analyzing The Stand for the 1st time will find a successful and eerily believable paintings of the mind's eye that takes at the concerns that might make sure our survival.
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Additional resources for The Stand
Example text
As readers, we cannot even feel sure that the narrator is trustworthy, since he is as likely as any other character to be guilty. In ‘Parlor Trick’, for example, we appear at first to be reading another narrative describing the entry of the narrator-protagonist into what we suppose is an alien and threatening environment. We share what we think is his shock at seeing Frank with ‘a thin knife-handle sticking out of one side of his throat’ (52). The first twist in the story comes with the revelation that the narrator himself has put the thin knife in Frank’s throat; the second reversal occurs when he has resigned himself to being taken away for execution by ‘the boys’ but finds that the gun is turned instead on one of his supposed executioners: ‘Frank’s number has been up for a long time’ and McNulty was ‘in it with him’ (61).
His detachment places him much closer to the masculine competence and ‘rightness’ of traditional detective fiction, and so moves him away from a noir sense of uncertainty. The protective presence that Marlowe establishes is above all stylistic. The witty, ironic aloofness of his narrative acts to evaluate and to contain the moral disorder of the society he investigates. When Hammett’s Op is shot in Red Harvest, he issues a declaration of war on Poisonville and on ‘fat Noonan’, the chief of police: ‘ “Now it’s my turn to run him ragged, and that’s exactly what I’m going to do.
Anarchic human appetites – sometimes sexual, but more often the lust for wealth or power – disorder all relationships from the most personal to the political and economic. In Blood Money, the title itself underlines the symbolic coupling of money and violence. Surreal confusion follows the gathering of 150 gangsters in San Francisco for an assault on The Seaman’s National and The Golden Gate Trust, after which (with trust shattered) murderous greed seems to infect the houses of the city, filling them with death and betrayal: ‘All the house held was fourteen dead men’ (340); ‘Larrouy’s home was pregnant with weapons’ (354).
The Stand by Stephen King
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