By Albert Moran
ISBN-10: 1841503061
ISBN-13: 9781841503066
Beginning round 2003, the expansion of curiosity within the style of fact indicates has ruled the sector of tv stories. even if, targeting this style has tended to sideline the much more major emergence of this system structure as a principal mode of industrial and tradition within the new tv panorama. TV codecs around the globe redresses this stability and heralds the emergence of an immense, fascinating, and difficult zone of tv stories. themes explored contain truth television, makeover courses, sitcoms, expertise indicates, and fiction serials, in addition to broadcaster administration regulations, construction determination chains, and viewers participation approaches. This seminal paintings might be of substantial curiosity to media students worldwide.
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Additional info for TV Formats Worldwide: Localizing Global Programs
Sample text
It underlines the point that the licensing of a format from elsewhere may trigger a cross-cultural exchange that begins with the readjustment of ways of working in television, whether by camera operator, editor, writer or others. Hence, Bob Cousins talked about visiting Uzbekistan to set up a production adaptation of Family Feud and discovering in the process that he needed to teach a camera operator how to frame master and other shots. By the same token, when Grundy World Wide (now merged into FremantleMedia) was producing a Spanish version of Sale of the Century by shooting in a television studio in Madrid, the visiting producer sent from Australia found it impossible to make the five episodes a day that were customary in Australia and elsewhere in the English-speaking world of television.
At this level, the adaptation of a program format will involve one or more of these television codes in a relatively simple operation of omission, inclusion, substitution or permutation. I have already quoted from consultant Stephen Freeman regarding Grundy’s decision to change the figure of the host for the Australian version of Wheel of Fortune. Clearly, the action is one of substitution, wherein one element of the format is replaced by an equivalent element. Colour is another component of television’s mise en scène that is frequently deemed to be nationally sensitive in game shows and other format genres.
It underlines the point that the licensing of a format from elsewhere may trigger a cross-cultural exchange that begins with the readjustment of ways of working in television, whether by camera operator, editor, writer or others. Hence, Bob Cousins talked about visiting Uzbekistan to set up a production adaptation of Family Feud and discovering in the process that he needed to teach a camera operator how to frame master and other shots. By the same token, when Grundy World Wide (now merged into FremantleMedia) was producing a Spanish version of Sale of the Century by shooting in a television studio in Madrid, the visiting producer sent from Australia found it impossible to make the five episodes a day that were customary in Australia and elsewhere in the English-speaking world of television.
TV Formats Worldwide: Localizing Global Programs by Albert Moran
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