By Alfredo Cramerotti
Addressing a transforming into region of concentration in modern paintings, Aesthetic Journalism investigates why modern artwork exhibitions usually encompass interviews, documentaries, and reportage. artwork theorist and critic Alfredo Cramerotti strains the shift within the creation of fact from the area of the scoop media to that of paintings and aestheticism—a swap that questions the very foundations of journalism and the character of paintings. This quantity demanding situations the way in which we comprehend artwork and journalism in modern tradition and indicates destiny advancements of this new courting.
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Extra resources for Aesthetic Journalism: How to Inform Without Informing
Eide, Martin (1998), ‘Det journalistiske mistaket’ in Sociologisk forskning, Sveriges sociologförbund, Nr. 3–4, pp. 69–87. Galli, Diego (2005), ‘Che cos’è il giornalismo partecipativo? Dal giornalismo come lezione, al giornalismo come conversazione’, in Problemi dell’Informazione, Issue 3, September, pp. 297–315, Bologna: Il Mulino. Giddens, Anthony (1994), Beyond Left and Right, Cambridge: Polity Press. Habermas, Jurgen (1972), Knowledge and Human Interest (trans. J. Shapiro), London: Heinemann.
My thanks to Morten Goll for the inspiring metaphor. 33 Aesthetic Journalism:Place of Artists Cinema 18/08/2009 21:04 Page 34 Aesthetic Journalism Further Reading Beck, Ulrich (2001), World Risk Society, Cambridge: Polity Press. Bourdieu, Pierre, (1990), Photography (trans. Shaun Whiteside), Stanford, Cal: Stanford University Press. Bourdieu, Pierre (1998), On Television and Journalism (trans. Priscilla Parkhurst Ferguson), London: Pluto. First published in 1996. Carpentier, Nico (2005), ‘Identity, contingency and rigidity: The (counter)hegemonic constructions of the identity of the media professional’, in Journalism, 6, pp.
Massumi, Brian (2005), ‘Fear (the spectrum said)’, in Positions, vol. 13(1), pp. 31–48. McNair, Brian (1998), The Sociology of Journalism, London, New York, Sydney, Auckland: Arnold. McQuail, Denis (1994), Mass Communication Theory. An Introduction, London, Thousand Oaks and New Delhi: Sage Publications. Mirzoeff, Nicholas, ed. (1999), The Visual Culture Reader, London: Routledge. Pilger, John, ed. (2005), Tell Me No Lies: Investigative Journalism that Changed the World, New York: Thunder’s Mouth Press.
Aesthetic Journalism: How to Inform Without Informing by Alfredo Cramerotti