By Katherine Keller, Angela Contini, Patrizia Zinni
Alexander Blackwood è un demone spietato e senza scrupoli, abituato advert ottenere sempre ciò che vuole e quello che vuole è l'anima di Deny Grayson, una donna gentile e bella con un grande segreto: è una strega ed è in mortale pericolo.
Due realtà eternamente in conflitto fra loro, due nemici appartenenti a opposte fazioni. Il destino vuole che i due si incontrino e da quel momento le loro vite cambieranno.
Magia, seduzione, crudeltà sullo sfondo di una Scozia romantica quanto oscura.
Potrà l'amore tormentato del demone e della strega sconfiggere nemici potenti e pericolosi, disposti a tutto pur di raggiungere i rispettivi scopi?
Immergetevi nelle atmosfere del primo romanzo della serie "The Shadows Saga".
"Voleva vivere consistent with lui, in keeping with loro due, according to abbattere tutte le barriere che li dividevano. Aveva trovato l. a. sua ancora di salvezza, aveva trovato una ragione according to sentire battere il suo cuore ogni singolo istante."
Biografia: Katherine Keller è l'alterego letterario di Angela Contini e Patrizia Zinni, due amiche che condividono moltissime passioni tra cui los angeles scrittura, il fable e soprattutto Smallville che le ha fatte conoscere alcuni anni fa. Angela ha già pubblicato il suo romanzo di esordio “Biscotti alla vaniglia” mentre Patrizia è un'autrice alla sua prima esperienza.
Entrambe adorano entrare in libreria, gironzolare tra gli scaffali e scegliere i libri da comprare. Preferiscono immergersi nella magia di un bel romanzo piuttosto che guardare l. a. televisione, anche se non disdegnano alcuni serials americani che sono oggetto di lunghe e divertenti chiacchierate.
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Released in chronological order, with broad tale and bibliographic notes, this sequence not just presents entry to tales which have been out of print for years, yet supplies them a ancient and social context. sequence editors Scott Conners and Ronald S. Hilger excavated the still-existing manuscripts, letters and numerous released types of the tales, making a definitive "preferred text" for Smith's whole physique of labor.
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De pronto, invisible hasta que lo tienen prácticamente encima, un Mercedes surge de los angeles fría niebla de los angeles madrugada. Su conductor atropella y aplasta a todos los que encuentra a su alcance. Acto seguido, el coche da marcha atrás y vuelve a arremeter contra ellos. El asesino huye dejando atrás ocho muertos y quince heridos.
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Bill Hodges: policía jubilado.
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Extra info for Black Shadow (The Shadows Saga, Book 1)
As readers, we cannot even feel sure that the narrator is trustworthy, since he is as likely as any other character to be guilty. In ‘Parlor Trick’, for example, we appear at ﬁrst to be reading another narrative describing the entry of the narrator-protagonist into what we suppose is an alien and threatening environment. We share what we think is his shock at seeing Frank with ‘a thin knife-handle sticking out of one side of his throat’ (52). The ﬁrst twist in the story comes with the revelation that the narrator himself has put the thin knife in Frank’s throat; the second reversal occurs when he has resigned himself to being taken away for execution by ‘the boys’ but ﬁnds that the gun is turned instead on one of his supposed executioners: ‘Frank’s number has been up for a long time’ and McNulty was ‘in it with him’ (61).
His detachment places him much closer to the masculine competence and ‘rightness’ of traditional detective ﬁction, and so moves him away from a noir sense of uncertainty. The protective presence that Marlowe establishes is above all stylistic. The witty, ironic aloofness of his narrative acts to evaluate and to contain the moral disorder of the society he investigates. When Hammett’s Op is shot in Red Harvest, he issues a declaration of war on Poisonville and on ‘fat Noonan’, the chief of police: ‘ “Now it’s my turn to run him ragged, and that’s exactly what I’m going to do.
Anarchic human appetites – sometimes sexual, but more often the lust for wealth or power – disorder all relationships from the most personal to the political and economic. In Blood Money, the title itself underlines the symbolic coupling of money and violence. Surreal confusion follows the gathering of 150 gangsters in San Francisco for an assault on The Seaman’s National and The Golden Gate Trust, after which (with trust shattered) murderous greed seems to infect the houses of the city, ﬁlling them with death and betrayal: ‘All the house held was fourteen dead men’ (340); ‘Larrouy’s home was pregnant with weapons’ (354).
Black Shadow (The Shadows Saga, Book 1) by Katherine Keller, Angela Contini, Patrizia Zinni