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Extra resources for Global Media Apocalypse: Pleasure, Violence and the Cultural Imaginings of Doom

Example text

These details may be pre-mediated, existing simply as phenomena that have not been translated into human discourse (the non-lingual or phenomenal world). Alternatively, the details may have been mediated as discourse and exist as some form of ‘latent data’; as it has already been mediated, this data-information is in a state of parenthesis, awaiting further engagement by human cognition. Other humans represent the fusion of both phenomenal and cultural forms, functioning as both ‘nature’ and the product of human activity (see Chapter Two).

Of course, each of these phases is distinguished by detail; the theoretical underpinning of this book, however, acknowledges these details in terms of a broader epistemic continuity. In this context, we might clearly accept that agriculturalism has shifted and mutated in many ways, as has the articulation of the great civilizational religions. There have been innumerable innovations and the multiplication of new knowledge systems across the period of the Holocene. However, these innovations, including the rise of rationalism, industrialism, and economies of pleasure and mediation – significant as they are – are nevertheless formed around the continuities that we are describing.

Not surprisingly, therefore, this democratic function has been central to the political and cultural grounding of media theory, particularly through the analysis of news and its engagement with ‘responsible’ government, social criticism and the dissemination of objective information. Post-essentialist theory, however, alerts us to these relativities and the ungrounded nature of information and knowledge. Indeed, the most cursory survey of the genealogy of the news media challenges the self-ascription of objectivity and moral authority; news has always been culturally and politically positioned.

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