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Example text

They laugh, and return to the table. “Life Upon the Wicked Stage” music plays again, and they converse animatedly with each other. ) LOIS HOLZMAN This discussion is meant to introduce the “basics” of Newman’s methodology. On the one hand, it is a conversation in which nearly all psychologists have taken or can easily take part. All the same, it is a piece of an ongoing debate among psychologists with a sociocultural orientation on both the substance and politics of Lev Vygotsky and his psychology.

Sometimes the performance almost seems to go beyond the stage. Sometimes in a story. Sometimes in a life performance. Many doubt that it can. It is the old paradox in its latest form. (VYGOTSKY seated at the table. PIAGET enters. ) VYGOTSKY: Piaget. Good to see you. I was hoping you would be here again today. Please sit. I must apologize for my pig-headedness yesterday. You, of course, were right. The Tolstoy Theatre is on Stage Street. I have been obsessed lately with zones. I do not understand it.

Real politics, which have no capacity to deal with the subtleties of history, resolves these contradictions by bureaucratic means and ultimately by the most extreme of bureaucratic moves—war. But those thinkers, famous and ordinary, for whom war was not a serious or moral solution—those who identified these confusions as more cultural or more psychological or more historical and less in terms of the game playing of nation states—they searched the fields of science and the humanities, of literature and music, of philosophy and theatre, more generally of culture, to better understand what was going on.

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