Download e-book for iPad: Publishing, Piracy and Politics: An Historical Study of by John Feather

By John Feather

ISBN-10: 0720121353

ISBN-13: 9780720121353

A survey of the improvement of British copyright legislation. This publication appears to be like at copyright legislations in perform, from a publisher's viewpoint. the improvement of statute legislations is traced and there's emphasis at the advertisement program of the legislation for publishers.

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Additional info for Publishing, Piracy and Politics: An Historical Study of Copyright in Britain

Sample text

Made or hereafter Why restrain 34 We do not know, but we may guess the press was widespread. been so? should this have that the wish to The Origins of Copyright 1475-1640 The campaign against monopolies in the book trade continued, was largely carried on from within, by dissatisfied members of the trade, who, like Wolfe fifty years earlier, felt commercially disadvantaged by being excluded from the system. George Wither was the leader of the opposition on this occasion, and he was silenced, as Wolfe had been, by being given a patent of his own, in this case in hymns, granted in 1623.

The very public opposition of some members of the Company to the continuation of its historic for their beneficiaries, members of / the trade. role (whatever their own motives may have been) proved both an excuse and an opportunity for intervention by authority. In practice, it was the view of Parliament (and particularly that of the 39 ' Publishing, Piracy and Politics House of Commons) which ultimately prevailed, and, as a result, it was the control of the press, rather than the rights in privileged and other copies, which dominated the debate and the legislation in the late 1640s and early 1650s.

3 Henry VI has a very similar legal and textual history. Throughout this series of transactions, a corrupt text, which cannot have derived from the author, was treated as if it were a perfectly normal copy. From the trade's point of view that was indeed precisely the situation. Are these textually corrupt editions, and similar 'bad' quartos of other Shakespeare plays, piracies? In the answer to that question lies the relevance of all of this in the history of copyright. crucial to maintain a clear distinction between 'piracy' as It is it was understood in the book trade and 'piracy' as it might have been understood by the theatrical companies.

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Publishing, Piracy and Politics: An Historical Study of Copyright in Britain by John Feather


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