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Extra info for The Art of Biblical Narrative

Sample text

Going over the 1981 book line by line has been instructive for me, and I hope the resulting revisions will be useful to readers. I have corrected a few minor inaccuracies and added an occasional nuance or amplification to statements made in the original version. There are at least a few points about biblical narrative that I have come to understand better over the years. Some of my argument with biblical sourcecriticism has been tempered in this new version, and I am especially grateful to my good friend and colleague Ron Hendel for going through the book and making specific suggestions in this and other regards.

The chapter on composite artistry now incorporates a few qualifications of the original argument because I have come to see that the discrimination of multiple sources can be more fully embraced as a complement to literary analysis than my initial formulations would lead one to think. All in all, however, this revised version remains basically the same book as the one that appeared in 1981, but at least in some regards I think it is now tighter and more precise. I should add that the most extensive revisions are of the ad hoc translations I originally did of all the biblical passages discussed in the book.

A. ”1 The alleged interpolation does, of course, as Speiser and others have recognized, build a sense of suspense about the fate of Joseph and a feeling of time elapsed until Joseph shows up in Egypt, but Speiser’s failure to see its intimate connections through motif and theme with the Joseph story suggests the limitations of conventional biblical scholarship even at its best. I shall begin with the last five verses of Genesis 37 in order to make clear the links between frame-narrative and interpolation.

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