By Karl Bardosh
ISBN-10: 1592576133
ISBN-13: 9781592576135
With the provision and affordability of electronic movie-making apparatus, it’s now more straightforward than ever for aspiring filmmakers to create the nice motion picture they’ve constantly desired to make. From details on growing mini-films on a PDA to creating least expensive, full-length electronic video clips, the total Idiot’s Guide® to electronic Video presents the entire info you must flip your notion into reality.
—A must-read for each movie scholar or novice
—Covers all facets of construction, from casting and directing to mild and sound to electronic editing
—Includes 8-page, 4-color insert
—Up-to-date tips about apparatus and software
—Clear, easy-to-follow directions and suggestions, in addition to all of the useful, creative, and technical “step-by-step” suggestion that merely an skilled writer/director can provide
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Extra resources for The Complete Idiot's Guide to Digital Video
Sample text
Most importantly this seminal event led directly to the formation of ‘Video Hiroba’22 in March 1972, marking a key moment in the history of artists’ video in Japan.
He was also instrumental in the setting up of artists’ access to advanced production facilities such as the television workshop at WNET in New York. The development of his video synthesizer with electronic engineer Shuya Abe in 1969 is also a considerable achievement (see Chapter 7), as was his well-documented early use of the Sony Portapak. 32 This event, combined with Paik’s 1963 exhibition at Galeri Parnass, has cemented Paik’s reputation as the ‘founding father’ of video art. What is clear is that Paik, with a grant from the John D.
In 1981, the American artist, curator and writer Don Foresta (1939, USA) organized the earliest exhibition of video work by French artists to tour in the USA. 13 VIDEO ART IN POLAND Video art in Poland first emerged in the early 1970s, as artists beginning to explore the potential of the new medium gained access to it via the Film Form Workshops. Drawing on the experience of experimental film, Polish artists sought to examine the formal properties and functioning of broadcast television, including its central role in domestic life and the nature of the live image of the closed-circuit television system (CCTV), as well as the television set as sculpture.
The Complete Idiot's Guide to Digital Video by Karl Bardosh
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