By Gerald Millerson C.Eng MIEE MSMPTE, Jim Owens
ISBN-10: 0240520807
ISBN-13: 9780240520803
This publication could be a little overwhelming if you are simply beginning out. whereas there is hundreds books that take on the data contained during this one, few of them disguise this type of wide selection of issues whereas nonetheless delving into a few aspect. i have started filming small tasks and this publication has been a useful reference that has won a spot in a single of my digicam baggage in case i've got any questions or wonders arise. It particularly will solution lots of the questions you will get a hold of whereas nonetheless studying. For these more matured, it could no longer be the simplest reference, yet for newcomers like me it is a nice learn.
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Extra resources for Video Production Handbook, Fourth Edition
Example text
Not necessarily, for you could explore the still photographs with the camera, panning or tilting the camera across the photographs. The key is to keep the shots brief and add sound effects and possibly even music. How do you find bear photographs that you can use? You could take the photographs yourself in the wild or at a museum or zoo. 18). Note how each decision leads to another development. For example, if you decide that you are going to shoot photographs at a zoo, you then have to figure out how, when, and where you are going to get these shots.
Nearby display cases prevented a better camera position. ” This imaginary discourse reminds us of several important points. First, there are many ways of interpreting any situation. A good director will give the subject a great deal of thought before shooting and will rationalize how best to tackle the shoot. ). 2 Shot selection at a baseball game determines whether you are showing the teamwork with a long shot or the emotions with an extreme close-up shot. 3 Overfamiliarity: The director knows how interesting the location is, but is it revealed to the audience?
Some will be brief and others relatively lengthy. While we will need to emphasize some of the topics, we will skip over others to suit the purpose of the program. The next stage is to take each of the topic headings and note the various aspects that need to be covered as a series of subheadings. Under “tools,” for instance, each tool that must be demonstrated should be listed. Now there is a structure for the program, and the director can begin to see the form it is likely to take. 20 Broad treatment The next stage in the planning process will be to decide how to approach each subheading in the outline.
Video Production Handbook, Fourth Edition by Gerald Millerson C.Eng MIEE MSMPTE, Jim Owens
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