By Ivan Kreilkamp
ISBN-10: 0521851939
ISBN-13: 9780521851930
The nineteenth-century novel has regularly been considered as a literary shape pre-eminently excited about the written notice, yet Ivan Kreilkamp exhibits it was once deeply marked through and engaged with vocal performances and the renovation and illustration of speech. He bargains a close account of the various methods Victorian literature and tradition represented the human voice, from political speeches, governesses' stories, shorthand manuals, and staged authorial performances within the early- and mid-century, to routinely reproducible voice on the finish of the century. via readings of Charlotte Brontë, Browning, Carlyle, Conrad, Dickens, Disraeli and Gaskell, Kreilkamp reevaluates serious assumptions in regards to the cultural meanings of storytelling, and indicates that the determine of the oral storyteller, instead of disappearing between readers' choice for revealed texts, endured as a personality and a functionality in the novel. This leading edge examine will swap the best way readers think about the Victorian novel and its many ways of telling tales.
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Extra resources for Voice and the Victorian Storyteller (Cambridge Studies in Nineteenth-Century Literature and Culture)
Example text
And at that time the pale, worn, patient face was seen looking up at the sky, with the broken right hand lying bare on the outside of the covering garments, as if waiting to be taken by another hand. They gave him drink, moistened his face with water, and administered some drops of cordials and wine. ’’ (Hard Times, p. 206) Benjamin similarly locates his isolated novel reader ‘‘under the open sky in a countryside in which nothing remained unchanged but the clouds’’ (Benjamin, ‘‘The Storyteller,’’ p.
Yet the definition of literacy was simultaneously restrictive enough that many or most working-class English people would never be able to count as fully literate: to speak with a regional accent, for example, or to use one’s education for radical ends, potentially labeled one as illiterate. The figure of the speaking worker marked, then, a point where two competing or contradictory concepts of literacy collided. An illiterate worker’s speech offered the promise of future education, the possibility of improvement, and even the liberal utopia of a fully educated, middle-class England.
In a manner that has since become familiar, Carlyle’s valorization of a hitherto occulted and suppressed speech permits a fantasy of a sovereign language that must be obeyed: ‘‘The world has to obey him who thinks and sees in the world . . It, the new Truth, new deeper revealing of the Secret of this Universe, is verily of the nature of a message from on high; and must and will have itself obeyed’’ (On Heroes, pp. 165–6). Such sovereign language heals the community, induces unanimity, and restores the damaged individual body to wholeness.
Voice and the Victorian Storyteller (Cambridge Studies in Nineteenth-Century Literature and Culture) by Ivan Kreilkamp
by Brian
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